Eric J. Segal, "The Gender of Illustration: Howard Pyle, Masculinity, and the Fate of American Art". Please see the published version in Howard Pyle: American Master Rediscovered, edited by Heather Campbell Coyle (Wilmington: Delaware Art Museum; Philadelphia: Distributed by the University of Pennsylvania Press, 2011
Artistic Liberties is a landmark study of the illustrations that originally accompanied now-classic ...
The article considers John Minton’s (1917–57) illustrations of landscape for the book Time Was Away:...
A “Peculiarly American” Enthusiasm: George Bellows, Traditional Masculinity, and The Big Dory invest...
In Competing Visions, I examine the works of women writers and male illustrators during what has b...
While I was growing up, illustrations made deep impressions upon me. An illustration is a picture th...
The Special Collections and Archives (SCA) unit at Boise State University’s Albertsons Library house...
Library news including, a new book list and an essay Inquiring into the relationship that an illustr...
The period 1877-80 marked an auspicious moment in the careers of the American painter and etcher Jam...
While male illustrators including Alberto Vargas (1896–1982), George Petty (1894–1975), and Gil Elvg...
INTRODUCTION In the 1930\u27s when Regionalism was the dominate style in American art, Aaron Pyle st...
Winslow Homer, exhibition of wood engravings, April 22- July 1979https://digitalcommons.lasalle.edu/...
I will expose a feminist cultural perspective of one of the most influential designers of the 20th c...
This brochure accompanies an exhibition of the same name at the Bowdoin College Museum of Art, Bruns...
Ernest Hemingway remains an interesting writer nearly forty years after his death because his works ...
This article studies gender construction in George Eliot’s "Romola" and Lord Leighton’s illustration...
Artistic Liberties is a landmark study of the illustrations that originally accompanied now-classic ...
The article considers John Minton’s (1917–57) illustrations of landscape for the book Time Was Away:...
A “Peculiarly American” Enthusiasm: George Bellows, Traditional Masculinity, and The Big Dory invest...
In Competing Visions, I examine the works of women writers and male illustrators during what has b...
While I was growing up, illustrations made deep impressions upon me. An illustration is a picture th...
The Special Collections and Archives (SCA) unit at Boise State University’s Albertsons Library house...
Library news including, a new book list and an essay Inquiring into the relationship that an illustr...
The period 1877-80 marked an auspicious moment in the careers of the American painter and etcher Jam...
While male illustrators including Alberto Vargas (1896–1982), George Petty (1894–1975), and Gil Elvg...
INTRODUCTION In the 1930\u27s when Regionalism was the dominate style in American art, Aaron Pyle st...
Winslow Homer, exhibition of wood engravings, April 22- July 1979https://digitalcommons.lasalle.edu/...
I will expose a feminist cultural perspective of one of the most influential designers of the 20th c...
This brochure accompanies an exhibition of the same name at the Bowdoin College Museum of Art, Bruns...
Ernest Hemingway remains an interesting writer nearly forty years after his death because his works ...
This article studies gender construction in George Eliot’s "Romola" and Lord Leighton’s illustration...
Artistic Liberties is a landmark study of the illustrations that originally accompanied now-classic ...
The article considers John Minton’s (1917–57) illustrations of landscape for the book Time Was Away:...
A “Peculiarly American” Enthusiasm: George Bellows, Traditional Masculinity, and The Big Dory invest...
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